I followed up the previous propaganda poster by staging my own living room to include various consumer products. I wanted to make the same commentary on American contemporary consumerism, so I kept the original first line of text "'Tis The Season" to set up the idea that obsessive consumption occurs every year and cannot be avoided. Various objects are labelled with plain white text around the image to objectify, to abstract, and to subtly express the idea that these objects hold no hierarchal importance and are just "stuff". The word "consumption" finishes the phrase but is enlarged and washed out into the image to embed itself throughout the living space, the white text, and the entire schema that surrounds the holiday season.

This was my original idea for a propaganda poster commenting on contemporary American consumerist culture. The black bars on the top and bottom are sandwiching a vectorized image taken from a 1950's style christmas ad in order to "trap" the image between the text. I chose to vectorize this image in order to "flatten" the aesthetic and remove it from its context in order to keep the message timeless. In this way, the image of a traditional American Christmas is embedded into the commentary, much in the same way that Christmas is embedded into our consumerist culture that encourages spending and buying more and newer products year after year.  

This untitled triptych is comprised of the characters 4, N, and 7 altered in Adobe Illustrator. Other shapes were added using the Pen and Paintbrush Tool. These initial symbols carry no significance to the final triptych which is supposed to be an entirely aesthetic composition. Each of the three sections is supposed to contrast the square next to it and is unified only by the dots scattered throughout. Each box contains a different color of dots. This was supposed to be subtle and for visual intrigue.

Nam June Paik's "Electronic Superhighway"

             This is an installation piece by the multi-media artist, Nam June Paik entitled "Electronic Superhighway". The piece consists of dozens of television screens organized on a wall in the shape of the United States. It even includes Alaska and Hawaii. Each state is separated with neon lights, and each state displays footage relevant to that state. So for example, you might see footage of surfing in Hawaii or footage of a rodeo in Texas.

              This piece reflects the increasingly fast paced and fragmented culture of the U.S. while emphasizing the individual subcultures that is a result of that fragmentation. And although the neon lights separate the states with hard illuminated lines, it also gives a sense of unification throughout the entire piece, reflecting both patriotism and individuality. 

Similarities Between the Food & Music Industry

         When discussing the similarities between industries, you are always going to run into many differences. No two industries are the same. So when comparing industries, most of the similarities will be in the way those industries have changed. An example being the business of film, and the business of television programs. Both have grown in similar fashions for the past century and have been codependent upon networks and directors. However, I have observed two industries that are virtually unrelated that have shown similar changes throughout the past 60 years. These industries are music and food.

          Looking at the world of food and music back in the 1950's, both seemed to be growing, fairly stable, and showed tremendous promise in the fields of technological improvements and quality of the products; higher fidelity sound production and higher agricultural yields. This made both music and food easier to make. When something is easy to make, it will become cheaper and in more abundance. When there was a surplus of corn, the food companies added cheap corn syrup into many food products. When there was easier sound production, the number of music groups exploded, especially in the 1960s. These surpluses in the industries forced record labels and food companies to label these new products as commodities. You don't need that Twinkie or that Beatles record, but these are the products most advertised and in demand. 

           Because of this, these industries learned that in order to stay afloat, they needed to appeal to the general public by keeping prices low while keeping sale numbers up. This is the general scheme for Coca-Cola, and Spotify. Both make their products extremely affordable (spotify even has a free version), and appealing to the general public with the most popular taste of soda or song selection available. Coca-Cola wouldn't dare experiment with their formula again after the failed attempt to market "New Coke" in the 80's with a new recipe. The general public already liked the traditional recipe just fine and rejected the change. Just in the same way that most pop stars wouldn't dare change their style of music or experiment with other songwriting techniques. They know that clean traditional pop structures are the kind that sell and are the most in demand and most experimental artists do not sell as many records as pop artists. After all, who wants a soda that tastes weird, or a dance club that plays weird music?

           So now we live in a world where soda is cheaper than water, and a 99 cent hit single on iTunes costs the same as a 7" record single in the 1960's. To me this seems like a tragic result of marketers and corporate policies treating food and music as a business. This makes food cheaper and of low quality (Reese's Puffs is really not a healthy part of a nutritious breakfast), and it also makes music less creative because the industry punishes nonconformity and experimentation. Nonconformity was more rewarded between the 60's and 80's with genres like psychedelia, progressive rock or even punk. But these are genres that are significantly losing favor in today's market. 

           Although these trends seem bleak from my perspective, the permanent entrenchment of these trends within these industries seems inevitable. Cheap readily available food will be the future of nutritional health and cheap streaming services will be the future of they way people enjoy music. This has major implications regarding the general public's future worldview and attitudes regarding the industrial production of anything and what an everyday product should be worth regardless of where it came from.

      

          

SELF PORTRAIT

This is my self-portrait. The visual abstraction reflects the subjectivity of my self portrayal. I have surrounded myself with some of my favorite things which are mostly comprised of food and musical elements. All elements are black and white to keep everything on the same level of importance.